A peek at London theater in 1932

Real life briefly intrudes on blogging.  But not on movie-watching!  Expect more reviews soon, including my entry on Fitzwilly for the 1967 in Film Blogathon.

In the meantime, enjoy this brief snippet from a 1932 Royalty Theatre stage play, While Parents Sleep, recently uploaded by the British Pathé archive.

I’ve been on a long-running British film kick, and the number of actors who split their time between stage and screen was high – unlike actors in Hollywood (based on highly scientific IMDb/Wikipedia browsing).  Unfortunately, most of those performances were never filmed.  It’s rare to see actual footage of a play.

All four of the pictured actors and actresses also worked in the movies – Frances Doble, a Canadian actress (The Constant Nymph, 1928 version) and Diana Beaumont (The Stolen Face) sticking to the British film industry.  Hugh Williams had a moderately successful movie career (seen here before in Secret Mission), and Jack Hawkins?  He would turn up as Major Warden in The Bride on the River Kwai, Quintus Arrius in Ben-Hur, and…a lot of other things.

While Parents Sleep was reportedly popular – popular enough to be filmed in 1935, with a young Jean Gillie (whose character in 1946’s Decoy could go head-to-head with Barbara Stanwyck in Double Indemnity as film’s iciest femme fatale).  Also appearing in a small role: William Hartnell, AKA the First Doctor of Doctor Who.

I don’t know.  Based on this tiny clip, I’m not sold on the play – it seems like it needs more wit and plot.  Maybe it’s just poor advertising.  Or good advertising – they probably picked the racier bits to draw the public!  What do you think?  Would you have bought a ticket for While Parents Sleep in 1932?



How to pull off a “Secret Mission” in 1942


This post is my contribution to the Snoopathon: A Blogathon of Classic Spies, hosted by Movies, Silently from June 1-3. See the complete list of films and participants here.

Have you ever wondered how to pull off a successful spy mission? Perhaps you’re planning a trip back to occupied France, and you need a few pointers before you turn the dial on the ol’ time machine. Never fear; the British show you how to do it all in Secret Mission.

  • Introduce your crack espionage team. You’ll want a handsome commanding officer (Hugh Williams); a Free French fighter and cook (James Mason); Michael Wilding as a private who…well, we’ll get to him later; and a trusted right-hand man (Roland Culver). This is a good cast; keep them. You’ll need them to carry the script.


  • Always remember that it makes total sense to send a team of commandos across the English Channel (at great risk to both boats and men) to poke around an unfamiliar locale for info on troop movements, bombing targets, and all that sort of thing. Putting local citizens in jeopardy to procure papers, shelter, and transportation while sheltering the Brits is par for the course. Setting up a local intelligence network and sending communiques via less risky methods is for wimps.
  • It is a moral requirement that at least one member of your party (preferably the handsome officer; it’s best not to assign the cook or the lowly private to this role) fall head over heels in love with a local beauty. Corollary: there must be a local beauty, preferably living in the same house where you’ll be holed up for the week. Here, her name is Michele, played by Carla Lehmann; she’s Raoul’s (James Mason’s) sister.
  • Maintain a blissful disregard for actual languages and/or accents used by various nationalities. Have James Mason attempt a French accent.
  • For added personal drama, have the local beauty encourage her brother to come back to France, as it’s difficult running the family farm alone. And then urge him frantically to stay out of sight, because the Germans might see him. (Um…)
  • Being holed up in a house is boring for the audience. Allow your spies to wander the village and surrounding countryside at will. A disguise of civilian duds and downward-cast looks provides adequate concealment. The issue of not having identification papers can be addressed by dodging behind trees and under café counters – just be quick about it!
  • Champagne merchants can go anywhere. Anywhere. Including driving directly into local German military headquarters and requesting to see the man in charge, like any good door-to-door salesmen. (If you’re looking for the origins of Hogan’s Heroes, look no further. They’ve even got the Disguise!Glasses.) Frankly, this scene is pretty funny; everyone is playing it tongue-in-cheek. (Culver: “Do you think we overdid the ‘Heils’?”)
Just a couple of friendly neighborhood champagne salesmen.

Just a couple of friendly neighborhood champagne salesmen.

  • The outrageous bluff always works. Especially if your fellow “champagne merchant” just handed the nice German officer an English cigarette.
  • It’s always embarrassing if you wind up in a situation you weren’t trained for in Hogan’s Heroes’ School of Espionage. Luckily, there is no such situation. The Germans, you see, were A+ students at Col. Klink’s Military Academy. When your champagne merchants show up, they’re immediately spotted for who they must really be: Gestapo counterintelligence agents!
  • Provide comedic relief. Cast Michael Wilding as a British private who doesn’t want to go back to St. Antoine (the village in question) because his overbearing French wife lives there, and the one perk of the war is not seeing her again. At least, I think this was comedy relief? (Seriously, this part made for a few chuckles, and no sense! But I’m told it was parodied to the hilt in ‘Allo ‘Allo!.)

Michael Wilding. Cleverly disguised with a beret.

  • If any German soldiers are suspicious, claim to be Gestapo.
  • Hijack a German patrol vehicle blasting Wagner’s Tannhäuser Overture. Turn it up full blast. Why? Because you can.
  • As a plot device, have the French love interest change her mind every five seconds: I’m so happy you’ve come! Wait, my brother’s not coming back to work on the farm? Get out, you’re going to endanger everyone! Wait, I think I’m falling in love with you. The Germans killed my brother! Now I will refuse to help you escape! Until I change my mind and rush out to save everyone at the last moment…  (More seriously, it was a nice touch to have a character who wasn’t passionately pro-Resistance from the get-go. The point gets muddied by too many whiplash mood changes, but Michele’s desire to protect her family’s home and livelihood by lying low was probably not uncommon – and understandable. She adds the necessary heart to the implausible plot.)


  • This is 1942. Happily-ever-after endings are for after the war. A tear-jerker parting scene between the English officer and the French woman is called for – with a message that the brave citizens of occupied France are secretly fighting the good fight, while the Allies are successfully bombing the stuffing out of hidden factories.


And that’s how you pull off a successful Secret Mission! Congratulations; you’re ready to be a spy. Don’t forget to finish the semester at Hogan’s Heroes’ School of Espionage before you go.

Secret Mission isn’t going to land any lost classics awards, or make it onto a “10 Best WWII Spy Films” list, but it’s fluffy, Espionage Lite entertainment, with a side of fantasy and a morale boost for WWII-era audiences. In a darkened theater in 1942, following the end of the Blitz, it may have been reassuring to see that the Nazis were just a bunch of dressed-up bowling pins, ready to be knocked down by British know-how and gumption.

Which isn’t to say that it isn’t also ridiculous: see above. It may have hit almost every spy/commando/resistance trope in the book as of 1942 – and probably contributed a few to the cause. As a How-To Guide for a WWII spy movie, it’s gold. You’ve got a Cafe Scene, a Walk in the Moonlight Scene, an Infiltrating Enemy HQ with a Bluff Scene, a Listening to the BBC Scene, a Tragic Death of Team Member Scene (with accompanying Patriotic Speech), a bombing, a chase, a scurry through soldier-infested woods, a paratrooper invasion(!), and Discussions with French Citizens About the Occupation.


And you know, despite all that, it’s actually rather fun.

Tomorrow, we’ll be taking a more serious look at a real WWII spy in George Seaton’s The Counterfeit Traitor. Meanwhile, don’t forget to stop by the Snoopathon and check out the other entries!

Trench coats for all!

Trench coats for all!